Nanzenji Garden (Kyoto)
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Japanese Rock Gardens (or Karesansui) are made from just two
primary elements: rocks and a fine, light coloured gravel. Although they
sometimes have a few living elements, these two humble materials are all
that is needed to create a captivating display of form and tranquility.
The rocks are commonly arranged in a rectangular frame of gravel which
is carefully raked to produce various patterns. The meaning of these
elements is ultimately up to the observer, but one interpretation is
that the patterns represent waves in water, and the rocks islands.
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Ryoanji
"What's so special about the garden at Ryoanji?" I asked him, naming the
famous rock and sand garden in Kyoto's most brochured and pamphleted Zen
temple.
"The spaces between the rocks," he replied, with his mouth full of toothpaste.
-from Alan Booth's
Looking for the Lost.
The rock garden at Ryoanji, the "Temple of the Peaceful Dragon",
contains 15 rocks arranged in a 25 by 10 meter bed of white sand,
flanked by clay walls and surrounded by an audience of colourful trees.
Despite its simple appearance, this garden has prompted volumes of
commentary on the aesthetic qualities that can be discovered upon closer
inspection. It is a quintessential example of the minimalism found in
Japanese art and culture; A few simple elements are combined together to
create something much richer.
The garden at Ryoanji Temple (Kyoto).
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A miniature version for blind people.
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Toranoko Watashi
Leaping Tiger Garden
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Not all rock gardens follow the same format. This garden, situated in
the grounds of Nanzenji temple in Kyoto, incorporates an area of mossy
ground with trees and shrubs on one side. A popular interpretation of
the garden is that the three large rocks represent tigers, and the three
smaller ones their cubs preparing to cross a river. Hence it is known as
'Toranoko Watashi', or 'Leaping Tiger'. This interpretation is made more
compelling by illustrations of tigers found in a nearby room, and by
wave like patterns raked into the sand.
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More Gardens
Here are some more scenes of gardens from around Kyoto. They are often
intended to be viewed from certain vantage points, such that each one
gives a particular portrait of the garden by providing its own form and
composition. This idea is made more apparent when the view is framed,
either by natural elements, or when viewed through the rectangular
opening of screen doors in an adjacent building.
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